Sansara situates Jalal’s painterly philosophy within the meditative realm of the eternal cycle. Dominated by fluid blues and organic contours, the composition evokes the sense of a world seen through water - a reflection, a distortion, and a revelation all at once. The central circular form, at once planetary and cellular, suggests the interconnectedness of life and the endless flow of becoming and dissolution. Through its cool, saturated palette and sensuous abstraction, Jalal transforms the concept of samsara - the Buddhist idea of cyclical existence - into a visual mantra of rhythm and renewal. The painting transcends figuration to enter a space of pure contemplation, where form, color, and consciousness converge into a serene continuity of being.