This work brings painting and sculpture into a single, attentive encounter. The canvas holds a field of quiet concentration, while the copper form asserts itself with gravity and warmth, allowing image and object to coexist in measured balance. Ganesh appears not as an emblem but as a grounded presence, poised between surface and volume. The copper carries density and tactility, its worked skin registering imprint. Against the painted plane, the sculptural form gathers focus, creating a gentle tension between depth and stillness. Nothing here is emphatic; meaning accrues through placement, weight, and restraint. Ganesh is felt as a moment of alignment - a pause before movement, where obstacles soften and direction clarifies. The work rests in that interval, where beginnings didn’t announce itself, but quietly made possible.